September 20, 2007

Memphis Kendo Group

Here's a picture of the Memphis Kendo after last night's practice (minus a few absentees!). Thanks to Emi Tanaka-san for taking this picture! (Click on the picture to enlarge it)

First row, L to R: Kento Takahashi, Seth Patterson, Rowan Troyer, Garrett Patterson, Shinnosuke Taniguchi

Second row, L to R: Kazuto Yasuda, Kentaro Tanaka, Masami Kamimura, Yuka Kamimura, Conrad Delancey, ____(?)______

Third row, L to R: Kenji Takahashi, Wayne Edge, Bill Delancey, Jeremiah Mazurek, Chris Cole, ____(?)_____, Salman Ali Abidi, Yushi Matsuura

Fourth row, L to R: _________, Don Crittendon, Rogers Gossett

(Apologies to folks whose names I can't remember!)

August 06, 2007

KENDO FOOT

*** WARNING ***
*** GRAPHIC PICS IN THIS POST ***
*** AVERT YOUR EYES IF YOU HAVE A WEAK STOMACH ***

Memphis Kendo Club has been very fortunate in the past couple of years to have many people start kendo and, more importantly, stick with it long enough to get into bogu.

Since we have so many newbies now taking part in full keiko practice, this seems to be a good time to explore the most common type of "injury" in kendo --- BLISTERS (aka "kendo foot").

No matter who you are, you WILL deal with this at some point although you may actually be fortunate enough not to experience the full glory of the pictures I've attached below.
At the end of this, I'll provide some information on how to deal with these minor inconveniences so that you can get back to practice as soon as possible.

You can click on the pictures below to expand them. I've labeled 3 areas of the foot for ease of reference. While kendo foot is not limited to the left foot, blisters and well-developed calluses typically occur there.

(A) big toe
(B) ball of the foot
(C) the whole area of the upper foot, beneath the toes


(A) is unremarkable and typical of a well-developed callus on the big toe. By expanding the picture, you may also notice a very nice callus in the crease of the big toe. This is also a common area for blisters to form... think of that area as "(A), Jr."
(C) reflects a relatively large blister that formed and either ruptured on its own or was popped/sliced by the foot's owner. In any case, the skin has dried and this is -- in my experience at least -- the best way to deal with blisters of all sizes. Pop the blister and get all the pus out of the thing, allow it to dry and then cut away the dead skin. The time it takes for this to occur will vary from person to person. More details to follow...




Now, this is a real beauty. Every kenshi should WANT to get one like this at some point in his career. (Insert gratuitous comment about "REAL kendo people..")

The area at (A) is slightly remarkable in that the toe has a callus, yet a blister still managed to form. It is starting to heal very nicely with this foot's owner routinely removing dead/dried skin from the area. This will help in the callus-building process.

Area (C) is really choice. In the previous picture, it was obvious that a blister was formed and properly addressed when there was no significant ripping of the skin. In THIS picture, the blister may have ruptured significantly on its own such that the foot's owner needed to actually clip it off. Major tearing of the skin can happen in the course of practice and on this point, I speak from personal experience. It is NOT cool. If you experience this and there's just a small rupture, you might be best served to leave it alone and let it dry out (per picture 1). If you've got a flapper, best thing is to just clip off the skin and follow these steps:

To help with the drying process, be sure to clean your blister with hydrogen peroxide first. Follow that up with a nice bandage, making use of an antibiotic gel like Neosporin, for example. This is good for when you have to wear shoes all day long at work. At night, take off any bandaging and let the blister dry. Repeat this as often as necessary. You should be good to go for practice the following week.

If by the time you get back to practice the blister hasn't healed (or healed well enough), you're probably going to need some kind of protection if you want to take part in class. Some people like to use a tabi-like thing such as this: http://www.blitzsport.com/images/shop/07-08sml.gif

These things are designed with a small patch of leather on the bottom to help grip the floor a little bit. The one time I used one, I didn't like it because it was actually slippery and made pushing off with the left foot virtually impossible. Your mileage may vary on the use of this thing.

Without question, though, a time-tested solution is plain ol' athletic tape.

This website: http://www.evl.uic.edu/spiff/KendoBlog/docs/taping.html shows step-by-step a very effective way of taping up blisters that occur in the middle of your foot. Be careful to follow the instruction on placing tape in between the toes. If you just wrap tape around your foot, it will tend to move up or down during the course of practice. Using the method from the provided link will prevent this from happening, however.


July 25, 2007

Memphis Dojo 3rd Largest in Southeast Federation

Latest update on SEUSKF membership totals puts the Memphis Kendo Club as the THIRD LARGEST in the federation out of 26 member dojos covering 7 states. Memphis Kendo Club is also the largest kendo dojo in the state of Tennessee! 1. Georgia Kendo Alliance (GA) - 61 members 2. Koryo Kendo Club (VA) - 28 3. MEMPHIS KENDO (TN) - 22 4. Triangle Kendo Club (VA) - 20 5. Tennessee Meiji Gakuin TMG (TN) - 17 Nashville Kendo Club (TN) - 17 7. South Florida Kendo Club (FL) - 16 8. Charleston Kendo and Iaido Club (SC) - 15 Il Kum Kwan (GA) - 15 10. Charlotte Kendo Club (NC) - 14 11. Orlando Kendo Club (FL) - 13 Northern Virginia Budokai (VA) -13 13. Georgia Nihongo Gakko (GA) - 12 14. Shuokan (VA) - 11 15. Baltimore/Annapolis Kendo Club (MD) - 10 16. Annapolis Kendo and Iaido Club (MD) - 8 East Georgia Kendo Club (GA) - 8 18. Meguro Kendo Club (FL) - 7 19. Renshinkan Kendo Club (FL) - 6 20. North Raleigh Kendo Club (NC) - 5 Peachtree City Kendo Club (GA) - 5 Shi Sei Kai (FL) - 5 23. Gulf Coast Kendo Club (FL) - 1 24. Emerald Coast Kendo Club (FL) - 0 (has not sent in any information) Heaven Kumdo (FL) - 0 (has not sent in any information) Ken Shin Kai (VA) - 0 (has not sent in any information) By state.... 1. Georgia - 101 members 2. Virginia - 72 members 3. Tennessee - 56 members 4. Florida - 48 members 5. North Carolina - 19 members 6. Maryland - 18 members 7. South Carolina - 15 members

Info on Promotionals

I have just received word from SEUSKF President Ken Strawn on the topic of promotionals.

The International Kendo Federation (FIK) has passed down new rules concerning promotionals.
The new ruling is that for ranks 6.kyu through 2.kyu, the board of examiners must consist of FIVE 4.dan (or higher).

The official current SEUSKF promotional policy is for the board to consist of a minimum of three 3.dan (or higher), therefore, the new FIK rule invalidates the SEUSKF policy.

The SEUSKF Board of Directors will discuss this issue on August 11, 2007. You may assume that the SEUSKF policy will officially change in order to parallel the FIK rules/procedures.

The SEUSKF Board of Directors recognizes that our regional federation has a shortage of 4.dan+ people and that there is more distance between individual dojos throughout the federation than any other federation of the AUSKF. For this reason, the Board will also discuss the possibility of an additional new policy to allow more promotionals in every part of the SEUSKF rather than just the one that takes place annually at the SEUSKF regional tournament.

That said, there was much discussion between Murakami-sensei (AUSKF VP-promotions) and Hori-sensei (AUSKF President) regarding the poor skill-level among many people who tested for 1.kyu at the Atlanta Summer Camp. There was some discussion regarding people being allowed to test for 1.kyu without having tested for any prior ranking.

As a result, the SEUSKF Board of Directors will also consider a new policy that no one may test for 1.kyu without a prior rank.

Updates to this topic as a whole will be forthcoming after the Aug 11 Board of Directors' meeting.

July 18, 2007

Kendo Reigi --- Etiquette

Sometimes folks can get a little lax in displaying proper kendo etiquette in the dojo. Recently, the Memphis Kendo Club has been concentrating more on this very, very important aspect of kendo and so I thought I'd take a couple of minutes to list 20 items of importance. Kendo reigi is not limited to just these 20 items, but these are very common and every kenshi should be well-versed in how to properly behave in class (and out). 1. When entering or leaving the dojo, bow to the front (shomen). 2. After you put on the keikogi and hakama, examine your appearance. Be sure to straighten the keikogi so that it is as flat as possible and not hanging over the koshi-ita (the small stiff section of the lower back) of the hakama. 3. Stack all your personal items neatly against the wall as not to take up too much space on the floor. 4. Many dojos have everyone line up in seiza (kneeling) with bogu immediately in front and to the right. Because Memphis Kendo has so many people and our floor space is not overly wide, it has become our custom to line up standing without bogu, preferring instead to keep all bogu off to the side. When setting up your bogu, first place the kote on the floor with the kote heads pointing to your RIGHT. Next, place the men face down across the wrist joints of the kote. The men should stay in place and not rock over. Place the men himo (strings) INSIDE the men. You may optionally put your tenugui (head towel) either inside the men or across the top -- at some dojos, this is not an option. It's either one or the other. If you visit another dojo, watch everyone else and follow their lead. You should be wearing the tare and the dou by the time you line up for class. 5. Always carry or hold the shinai or bokken properly. Do not lean or rest on it; do not use it as a cane or walking stick. 6. If your bokken or shinai is not in use, store it, or alternatively, you may rest it against a wall. If you do this, be sure to do so with the tip pointing UP. 7. Do not step over anyone's equipment -- including your own. 8. Do not TOUCH anyone else's equipment (even to move it out of the way) without first asking permission. 9. Do not step over a shinai or bokken that is on the floor. If your shinai or bokken is not in use, it is probably better to refer to rule #6 above so that people do not have to maneuver around the equipment area trying to avoid stepping over anything. 10. Do not walk in front of anyone, but if this cannot be avoided, politely bow and extend your hand slightly forward, saying, "Please excuse me." 11. When you put on full bogu for class, follow these rules -- a. Put on the tenugui such that when you tie on the men, there is no "flap" sticking out from the back of the men. This is affectionately referred to by some as a "rooster tail." b. After you have tied the men on, examine the men himo such that they are together, parallel, and not twisted. c. When putting on the kote, put on the LEFT kote first, followed by the RIGHT. 12. During class, after you have finished an exercise with your partner, return to the center, pause, return your shinai to the sheathed position (osame to), take 5 steps back, and bow, saying "Thank you!" 13. If you MUST take a break during class, politely bow out. Take a moment to catch your breath or cool down if necessary and then work your way back into class. It is perhaps more proper that you ask permission to bow out AND bow back in, especially if you are visiting another dojo and are unfamiliar with their customs. No matter what, though, DO NOT take off the men unless you absolutely must do so. If you have to leave the floor for any reason, please let someone know. 14. During class, refrain from idle talk. Pay attention and concentrate on the lesson. If you are waiting for your turn to participate, much can be learned by simply observing others. 15. If you are sitting in class, sit in seiza (kneeling). If you are unable to sit in seiza (try to do so as long as you can), then sit properly. Do not "lounge back" with your legs extended. 16. When lining up at the end of class (as well as at the beginning of class), do so QUICKLY. Make sure the line is straight by checking the person immediately to your right. 17. The head instructor will call for the instructors to seiza, but the student line should wait for the head student to call, "SEIZA!" before kneeling. Start to kneel when the person to your right starts to kneel (much like a domino effect). Kneel quietly without moving until the head instructor calls for everyone to remove the bogu. 18. When removing the bogu at the end of class, follow these steps -- a. RIGHT kote is removed first, slightly to your front and right, with the kote head pointing to your RIGHT. b. LEFT kote is removed and place IN FRONT of the right kote. c. Remove the men. Do NOT let the men himo flail about haphazardly. When finished, place the himo INSIDE the men. d. Before placing the men on top of the kote, hold the men with one hand in front of your face. Remove your tenugui with the other hand and use it to wipe away any sweat from your face. Finally, place the men on top of the kote (as previously described). Place the tenugui either inside the men or across the top. REMEMBER -- at other dojos, this may not be optional. Watch others and follow their lead if you are visiting another dojo. e. Remove the dou, placing it in front of the kote and men. Be sure that the dou himo are not scattered about, but rather are neatly concealed. f. Remove the tare. There are at least a couple of different methods of folding the tare obi, but the point is, do not just set the tare in front of your dou, leaving the tare obi lying out. Although some people at Memphis Kendo Club (myself included) occasionally tie the dou and tare together at this point, the traditional custom of the club is to place the tare in front of the dou (which is in front of the kote and men) so that your name --- if you had a zekken with your name on it --- can be easily seen by the instructor. 19. After removing all the bogu, remain in seiza with your back straight. 20. After class has been dismissed, it is customary to come forward and bow once more to the head instructor individually. Also take the opportunity to bow to your dojomates individually. Again, this is customary and should always be done from seiza.

June 04, 2007

Inaugural Mid-South Taikai Results

Congratulations to Kajitani-sensei and the Little Rock Kendo Club for winning the inaugural Mid-South Taikai team championship which took place on Sunday, June 3rd, 2007!!!
And congratulations to Ken Tanaka (Memphis, pictured above) and David Biggins (Little Rock) for capturing Kanto-Sho (Fighting Spirit) awards!! This was a great opportunity for Memphis Kendo to practice with the Little Rock group, especially since both groups do not regularly get to travel to larger tournaments in light of their geographical locations. I think it's safe to say that through this event, we have all made some great new friendships. Little Rock is to be commended for actually putting this idea into action and I think I speak for everyone in our group that it was a really great time. This takai -- the first of hopefully many, many more to come -- was designed much different from a typical tournament. Indeed, the team competition for more formal tournaments calls for a maximum of 5 players per team. For the inaugual Mid-South Taikai, however, the formal rules were altered such that both clubs would field only one team comprising as many members as could travel for the event, with the total number of match wins determining the victor. Likewise, only the students would fight for the championship, leaving the instructors and asst instructors the tasks of timekeeping, scorekeeping, and refereeing. This was a great example of a "goodwill" tournament between the clubs. For this event, Little Rock fielded a team of 8 players, while Memphis fielded a team of 11. Even with shimpan duties falling to the three Memphis instructors, Little Rock was on fire, winning the first 5 matches, putting the Memphis team in a very precarious position from which it could not recover.
It is hoped that, over time, both clubs will continue to grow and its members will gain more kendo experience such that this tournament will develop into a more formal setting. There really is quite a bit of potential for this to become an excellent annual event for Memphis Kendo. Congratulations to everyone who took part in the effort! Despite having a team with 3 fewer members, Little Rock represented themselves quite well, and hopefully that will serve as a powerful motivator for our club to exact revenge next year!!

May 25, 2007

Nashville Group Practice Photos

Some recent pics from the group practice in Nashville with Maeda-sensei....







Good luck to Yasuda Kazuto-san, who will be trying for 4.dan at this year's AUSKF Summer Camp in Atlanta!!!!

April 09, 2007

Lot of food for thought...for beginners/low Kyu-ranks

Some of the things we at Memphis Kendo teach our beginners is the importance of footwork, moving forward, basic seme, big swing techniques, big voice, and ki-ken-tai-ichi. On top of all that, there is the old addage: THERE IS NO DEFENSE.. THERE IS ONLY ATTACK.

When beginners start to transition into a more active participation in class (read: wearing bogu and taking part fully in jigeiko) they sometimes tend to forget everything they've learned the first 3-6 months. Many times, people get into bogu and fall back to a basic human instinct of defense only. Some people are able to effectively carry over the concept of "ONLY ATTACK!", and they do so without regard to the consequences of their attack. In essence, they attack without fear (which is good at that level), but one of the drawbacks of this --- especially when they face someone of equal experience and rank --- is that one side attacks using a big men strike from always the same distance and with always the same timing. When this happens, the other side typically falls into the same pattern and the end result, usually, is that both sides continue to hit each other's shinai before reaching the men and a successful strike eludes both players for, seemingly, an eternity.


It is important that beginners use what they learn in regular practice, attacking without hesitation or fear, however, they cannot learn opportunities for attacking by repetitively using the same technique from always the same distance and with always the same timing.

Keep in mind that jigeiko is not "regular/kihon practice". Jigeiko is a real opportunity to work on what you've learned in class in a very practical way. It's not enough to simply kiai, push seme, and attack.... you will soon learn that that doesn't always work when the opponent is not acting simply as a target for your practice, and some real frustration can result from this.

Once you know how to do a very basic men strike in regular practice, try to use jigeiko to experiment with how to actually pull off a very basic men strike. Pulling off a very basic men strike is not as easy as some think!

PART II:
So, you know how to do big men... you have great voice... you have decent timing and ki-ken-tai-ichi. Works great in practice, but now you're having trouble in jigeiko.

What to do?

Gain the center and create an opening to attack!

Whoa. What does this mean? What is center?

In case you don't know, "center" is perhaps most simply described as "keeping your shinai pointed at the opponent" (i.e., your shinai is "in the center").

Great. Now that I know what center is, Why do I need to break it?

Basically, if your opponent controls the center, then you will not be able to attack.

Why?

Because --- without going into greater detail --- if you move to attack without getting your opponent off center, the opponent can do a number of things to nullify your attack, one of which being if he doesn't move at all and just holds his kamae, you could just kill yourself on the tip of his sword.

Ok, so how do I break the opponent's center?

Well, now you're starting to think like a kenshi. HOW to break the opponent's center is the basic, most important tactic in kendo and, regardless of how simple the concept is, pondering the "how" is what develops into more complicated and effective waza (technique) as you advance in kendo.

There are several ways to break the opponent's center, but the simplest way is to physically move the opponent's shinai off the centerline by using your own shinai.  For example, you can attempt to push the opponent's shinai down/to the side (called OSAE-WAZA) or you can attempt to push/knock it left, right, up (called HARAI-WAZA).

This particular concept of manipulating the opponent's shinai is known as "Killing the Sword" or "Killing the Kensen"...

If you regularly kiai, push forward, then attack.... You can attempt to ALTER YOUR TIMING.  Try: kiai, kiai, push forward, kiai, push forward, then attack. Or you might push forward, kiai and stomp your front foot to see what kind of reaction you get from the opponent. This is what is meant by "changing your timing".

If you experience some frustration with your attacks in jigeiko (Can't Seem to Land ANYTHING!), try experimenting with timing variations.... alter your footwork, play with your kiai (when you attack, is your kiai significantly different from when you're NOT attacking?), attack the opponent's shinai (Kill the Sword!), try to avoid the same patterns (1-2-3-GO!) of attack and change it up a little (1-GO!... 1-2-3-GO!... 1-2-GO!... etc.)

PART III:

As you progress in kendo, you will start to develop a better of sense of reading the opponent, recognizing his patterns, recognizing opportunities for attack, and so forth. You'll also learn different types of waza and over time, you'll get better at knowing what to use and when to use it. You'll discover that you can use some waza better than other waza. The kendo learning process is neverending, so, don't get too ahead of yourself.... there's plenty of time.

High-level kendo players use the same kendo basics that beginners use. The difference comes in their understanding and application of those basics which are ONLY able to develop through experience over time. There is no "quick path" to strong kendo. If such existed, 1.kyu-level players would defeat 5.dan players on a regular basis. So in the early stages of your kendo journey, continue to work ONLY on what you know and try to perfect it. THAT is the natural progression to "advanced kendo."


+++++++++++++++++++++++
Some of the items in this post were taken from Dr. Sotaro Honda's article "Learning of Tactics for Kyu-grade Holders". Honda-sensei is the head coach of the British National Kendo Team.

March 29, 2007

Memphis Kendo one of the largest in the Southeast US Kendo Federation

According to the most recent stats from SEUSKF President Ken Strawn, Memphis Kendo is the THIRD LARGEST dojo (out of 24) in the Southeast US Kendo Federation. Stats are based on the number of people who signed up to join the SEUSKF/AUSKF. We had 22 people sign up and since we do not force members to join the SEUSKF, this is an excellent number. Some clubs might require all members to join the federation. The Top 5: 1. Georgia Kendo Alliance (Atlanta, GA - Arai-sensei) -- 61 members 2. Koryo Kendo Club (Richmond, VA - Hoang-sensei(s)) -- 28 members 3. MEMPHIS KENDO (Memphis, TN - Dach-sensei) -- 22 members 4. Triangle Kendo Club (Raleigh-Durham, NC - Yasuda-sensei) -- 20 members 5. NASHVILLE KENDO CLUB (Nashville, TN - Ms. Honda) -- 17 members 5. TENNESSEE MEIJI GAKUIN (Sweetwater, TN - Maeda-sensei) -- 17 members The SEUSKF has member dojos in 7 states: Tennessee, Georgia, Virginia, North Carolina, South Carolina, Maryland, and Florida. Excellent job, everyone! Thanks for joining!

February 16, 2007

SEUSKF/AUSKF Members from Memphis Dojo

Thanks to everyone who joined SEUSKF/AUSKF this year. Here is the final list of 22 members (our largest ever): ____________ Kazuto Yasuda Rogers Gossett Don Crittendon Wayne Edge Walter White Billy Delancey Larry Runnels Adam Wilson Nick Runnels Corbin Runnels William Thornton-Leonard Conrad Delancey Rowan Troyer Darren Williams Thomas Davis Joshua Schoeneberger Seth Patterson Christopher Cole Salman Ali Abidi Jeremiah Mazurek Jonathan Kahre

November 22, 2006

A couple pics from 2006 SEUSKF tournament

Memphis Dojo:
L to R: Rowan Troyer, William Thornton-Leonard, Conrad Delancey, Ester Lim, Steven Oh, An Giang, Billy Delancey, Kazuto Yasuda, Don Crittenden
(not visible: Larry Runnels, Corbin Runnels, Nick Runnels, Adam Wilson, Walter White, Rogers Gossett

Memphis B Team
L to R: Billy Delancey, Rowan Troyer, Conrad Delancey (slightly hidden), Ester Lim, Steven Oh

November 21, 2006

Memphis results at 2006 SEUSKF Tournament/Testing

There were approximately 130+ competitors at the 2006 SEUSKF Tournament, hosted by Triangle Kendo Club in Chapel Hill, NC this past weekend. It may have been one of the biggest SEUSKF tournaments in recent memory. Every year, it seems to get bigger and bigger as more people take up kendo throughout the southeast. For most of the Memphis contingency, it was their first tournament. I think it was an overall good experience for everyone. For some, it was their first time doing kendo with someone outside of our own dojo. For others, it was only the second time. In the individual divisions, we unfortunately did not have anyone place. Since Yasuda-san and I were tied up as shinpan in other rings, some of the details of individual performances are lacking (for now). The youth divisions, as well as the 1.dan-2.dan division, had more participants than I can remember in years past. Some of the details I can recall for the time being: William Thornton-Leonard actually won two of his matches in the 1st round/round robin but for some odd reason was not advanced to the 2nd round. (Still not sure why that happened). Yasuda-san, competing in the 3.dan+ division, had arguably the toughest draw of any competitor in the entire tournament. For the first round/round robin, he drew 5.dan Hyun-sensei (TMG) and 4.dan Yoshida-sensei (TKI). Yoshida-sensei wound up advancing to the quarter-finals before losing to Tanaka-sensei (4.dan?, GKA), who went on to finish in 2nd place in the division. For myself, I drew Kim-san (3.dan, GKA) and Imai-sensei (5.dan, TMG), the latter of which placed 1st in the division. I'm looking forward to this Wednesday's class to try and piece together how everyone did in the individual competition. The level/quality of competition was quite fierce this year and the future of SEUSKF kendo looks good with younger and stronger players emerging and developing. In the team competition, the Memphis A team tied for 3rd place (out of 19 teams). This was the first time in the club's history that a team has placed in the SEUSKF tournament. Memphis A consisted of: Senpo - An Giang (3.dan) Jiho - Walter White (1.dan) Chuken - Don Crittenden (2.dan) Fukusho - Rogers Gossett (3.dan) Taisho - Kazuto Yasuda (3.dan) En route to the 3rd place finish, the Memphis team lost to a very strong team from Georgia Kendo Alliance (GKA) which eventually went on to win the team division. The Memphis B team had a tough road to climb from the onset. This was the first tournament for every member of the team. Unfortunately, since the A team was competing at the same time, I don't recall who the B team faced. I do remember some details, and some were provided after the fact. Senpo Rowan Troyer (unranked, 9 yrs old, all of 4 ft tall) fought his match to a stalemate, which in team competition can be as good as a win. Jiho Conrad Delancey (4.kyu, 12 yrs old, all of 4.5 ft tall) lost his match by only one point to a player more than twice his height and almost twice his age. I know that _____-sensei is very very happy with the results of both teams and is sorry that he missed out on the trip!! Final tournament results for each division will be posted as soon as possible. Without question, the strongest contingency for this year's tournament came from GKA. Arai-sensei (6.dan) informed me that they have up to 80 regular students now, with some very strong 3.dan and 4.dan players. There is also a 1.dan player from GKA who is showing some strong development in using jodan. I can't recall his name, but we will all be seeing him again in the future --- he'll be someone to watch out for! TESTING RESULTS: =============== Congratulations to everyone who passed his test: Rowan Troyer - 6.kyu William Thornton-Leonard - 4.kyu Conrad Delancey - 3.kyu Billy Delancey - 1.kyu Adam Wilson - 1.kyu Ester Lim - 3. kyu Larry Runnels - 1.kyu Nick Runnels - 5.kyu Corbin Runnels - 5.kyu Walter White - 2.dan (Sorry if I have forgotten anyone's name here).. REMEMBER: There WILL be class THIS Wednesday (the day before T'giving). Class will be pretty light, with some discussion on everyone's tournament experience.

October 20, 2006

Memphis Kendoists get noticed at Iaido Nationals..

Link to the full story from the Cinncinnati Enquirer http://news.enquirer.com/apps/pbcs.dll/article?AID=/20061002/NEWS01/310020015/1056/NEWS01 Quoted in part: During the last few days, Cincinnati became the center of attention for Iaido lovers, teachers and students across the country as it hosted the U.S. Samurai Sword Championships and Seminar for the first time at the Corryville Recreation Center. [...] The youngest competitor was 12-year-old Conrad DeLancey, 12, of Memphis. He and his father took up the sport about a year and a half ago and came to their first competition this weekend along with their teacher, known as a sensei. He’s one of the younger Iaido students, Atkins said. The art takes such discipline and practice that it helps kids stay focused. It also teaches manners, posture and respect. The care used when they fold up their robes after competition rivals that of an American flag being folded.“I just always wanted to learn how to use a sword,” said the dark haired, freckled boy. “I think that’s just neat that you can know how to use it and use it without cutting yourself.” +++++++

March 21, 2006

2006 SEUSKF Stats

There are 24 dojos that make up the SEUSKF. 318 kendoka have registered with the regional and national federations. - 76 youths (17 and under) - 242 adults (18+) - 259 males - 59 females Memphis is the 6th largest dojo in the SEUSKF with 18 registered memebers. The top 10 are: 1. Gulf Coast Kendo Club (Bradenton, FL) - 52 members 2. Georgia Kendo Alliance (GKA) (Atlanta, GA) - 42 members 3. Koryo Kendo Club (Richmond, VA) - 36 members 4. Annapolis Kendo and Iaido Club (Annapolis, MD) - 23 members 5. Triangle Kendo Club (Raleigh-Durham, NC) - 21 memebers 6. Memphis Kendo (Memphis, TN) - 18 members 7. (tie) Tennessee Meiji Gaikuin (TMG) (Sweetwater, TN) - 16 members 7. (tie) Northern Virginia Budokai (Fairfax, VA) - 16 members 8. Northern Raleigh Kendo Club (Raleigh, NC) - 15 members 9. Charlotte Kendo Club (Charlotte, NC) - 14 members The SEUSKF covers 7 states: Florida Georgia South Carolina North Carolina Virgina Maryland Tennessee

February 24, 2006

IMPORTANT: New SEUSKF News (2/24/06)

I received an email from Sensei Jim Parker, President of the SEUSKF, regarding some important stuff that concerns all of us ... members and non-members alike. I'll cut right to the chase and paraphrase the email (most of it is direct quoting): 1. If you are not a member of the SEUSKF or the AUSKF, you will either pay a higher fee for participating in SEUSKF activities or you will not be allowed to participate in SEUSKF activities. It is not fair for paying members to subsidize a non-member. 2. Members of another region may be required to pay a higher fee for participating in SEUSKF activities. 3. A non-member of the SEUSKF/AUSKF will not be allowed to test. [MKC's note: #3 is not exclusive to SEUSKF regional events where promotionals are held. It *DOES* include in-house promotions!!!] 4. Dead Lines for registration will start to be enforced. If you show up to a tournament or an exam on that day - you will most likely not be allowed to participate. [MK's note: Make special note of this if you have NOT signed up to join the SEUSKF/AUSKF for THIS year, you will NOT be allowed to compete at the SEUSKF annual tournament in the Fall of 2006 if you intend to sign up "on site"...] 5. Applications may begin to require you to show proof of membership. Kendo Card: If Nationals doesn't prepare-the SEUSKF will. 6. Promotion exams: a. If you are not in bogu-there is no reason to be testing. b. The sensei of the Dojo/Club should be involved in recommending what rank someone is Challenging. Simply putting down "judges decision" doesn't help us judge where to place this individual and could harm a better player's change of passing by being paired up with a lower skilled opponent. c. The dojo/club sensei's signature and recommendation is a part of the application. 7. People who are not participating need to get involved to help run the tournaments, promotional exams, etc. This is part of kendo training and needs to be taught in the dojo. Every kenshi at about 3-kyu and above should be able to help score at the table, keep time, run flags & locate competitors. Sho-dans and 2-dans should be being taught how to shimpan in the dojo so that when they become 3-dan and have to judge in the SEUSKF tournaments - they will have some knowledge. 8. To test outside the SEUSKF, you must have the SEUSKF presidents signature and permission to test as well as your dojo/club sensei. ++++++++++++++++++++++++++++++++++ 2006 SEUSKF Tournament ++++++++++++++++++++++++++++++++++ The SEUSKF is looking for a Dojo/Club to help put on this years Tournament. At a minimum we will need space for 3 courts and possibly 4. This primarily involves arranging for a gym, tables and chairs for the court, tape for the floor, stop watches, medals/plaques (this could be done by the SEUSKF or by the dojo/club), possible banquette, brackets (can be done by SEUSKF and/or the Club). This tournament is normally held in October or early November. MKC Note: Memphis last hosted the SEUSKF Annual tournamnet sometime around 1997 with pretty decent success thanks to the efforts of Dach-sensei who did pretty much all the work himself. Hosting a tournament is a MAJOR undertaking, but with the number of people we now have involved in our group, it would not be an impossibility. This is something the group should perhaps consider doing -- if not this year, then maybe next year. It's not entirely fair that the same groups wind up hosting it year after year (namely, Charlotte and the Citadel groups) because of everything involved, but it's also not entirely fair that the tournament always seems to be held so far away from Memphis, thus limiting who from our group can go and get some much needed experience practicing with other kendoka. The items listed above from Parker-sensei's email barely scratch the surface of what's needed. The primary factors which need to be taken into consideration are: 1. Securing an area for the tournament (in our case, possibly the community center's gym), 2. Arranging the post-tournament banquet, 3. Securing/arranging hotel availability for travellers, 4. Securing/arranging ground transportation for any groups who fly into Memphis, 5. Sharing some of the costs for VIPs (read: normally visiting sensei from other federations who may be invited)... hotel rooms, food, transportation... As I said, it's not impossible for a group our size to host this tournament, but if we offer to do it (it would be immediately approved, trust me), ALL of us must be committed to helping out in every way possible. It MUST be a group effort!!] The SEUSKF is also asking dojos to host kendo AND/OR iaido seminars. [If we are not willing or are unable to do the SEUSKF tournament, a kendo/iaido seminar would be another great opportunity for our group. In order to pull off a seminar, the same basic 5 things listed previously would still be needed (perhaps minus a banquet) but on a smaller scale. Memphis last hosted a NATIONAL iaido seminar a few years ago which was met with much success.] MORE NOTES: If Memphis were to host the SEUSKF tournament or a kendo/iaido seminar, there is a GOOD chance that we would get players from other federations to participate, due to Memphis' central location and airport accessibility MORE SEUSKF NEWS: We are trying to get a SEUSKF web site up to help post more information. Again your input and assistance is always appreciated. The most important thing is to spread the information that is put out to other members. +++++++++++++++++++++++++++++++++

February 02, 2006

SEUSKF News Items

2005 SEUSKF Tournament Results:

Shodan-Nidan Division:
1. Chang Oh (GKA)
2. Yuki DeSouza (GKA)
3. Nobuhiro Sekita (TMG)
3. DON CRITTENDON (Memphis)

Sandan+ Division:
1. Kotaro Yoshida (Triangle)
2. Yukihisa Tokunaga (Triangle)
3. Yoshimi DeSouza (GKA)
3. Daisuke Sugiyama (Dartmouth)

Seniors (45 and up):
1. Shinobu Maeda (TMG)
2. Don Seto (Shidogaikuin, DC)
3. Kunitoshi Arai (GKA)
3. Sokichi Kishi (Orlando)

Junior Youth (12 and under)
1. Ryo Eguchi (Torrance)
2. Brandon Oh (Koryo)
3. John Murden, Jr. (CKIC)

Senior Youth (13-17 yrs old):
1. Yuki DeSouza (GKA)
2. Akira Hara (GKA)
3. Uendae Park (GKA)
3. Nobuhiro Sekita (TMG)

Women
1. Yoshimi DeSouza (GKA)
2. Yatsuki Hoang (Koryo)
3. Jessica O'Quinn (GKA)
3. Ryoko Barr (GKA)

Mudansha
1. Yoo Chong (GKA)
2. Tae Youn Park (GKA)
3. Shunsuke Kishi (Orlando)
3. Pavel Litterback (GKA)

NO TEAM DIVISION WAS HELD

=========================================

Ken Strawn's Travelling Tip:

When you fly to a Kendo event, you may have encountered the problem [Ken has]. Besides [his] bogu bag and shinai bag, [he] must carry an additional case for [his] kendo prosthetic. When you fly coach, you are restricted to two bags. Twice [he has] had to pay an additional $80 for the third bag.

[Ken] recently flew to California for a kodansha test and this happened again. The lady processing [his] luggage told [him] to tape two of them together and the airline would count it as one. On the return trip, [he] tried this with duct tape --- and it worked!

Remember though, in this post-9/11 world, to put the tape on in a manner so that the suitcase can be opened for inspection without the agents having to cut away your tape and lose one of your bags.

===================================
A couple notes from the SEUSKF Board of Director's Meeting --- 17 Sep 2005

1. Treasurer's report -- ending balance as of 9/14/05 was $7,961.05
Total SEUSKF membership: 274

2. Promotional issues: Ken Strawn brought up his feelings that dojo promotionals are getting out of hand. No procedure for holding the promotional has ever been sent to the dojos. Main issue is that permission must be asked of the Vice President of Promotions (Mike Quinn) or results will be nullified. Dojo promotionals can go no higher than 1-kyu. New procedure will be issued.

3. Citadel Seminar -- March 9/10 with Kakehashi Sensei (8-dan) and Miyazaki Sensei (7-dan). SEUSKF agress to pay for one sensei's ticket. A seminar fee will be charged to help cover the other sensei's ticket. Suggested to hold spring promotional in conjunction with this seminar in order to promote attendance (spring promotional usually held at TMG). Plan is for only SEUSKF members allowed to attend.

4. Mentoring -- Maeda-sensei requests travel expenses be paid by SEUSKF for his traveling once a month to assist new dojo in Nashville. After reviewing SEUSKF policies and procedures, dojo must request mentor ahead of time and nothing has ever been set about paying mileage for mentors. As SEUSKF cannot afford to send mentors to every dojo who requests one, it should be the responsibility of the dojo to pay travel expenses for a mentor as much as possible. It is decided to pay Maeda-sensei who traveled in good faith for the two trips he already had made and to decide future requests on an individual basis.

5. Arai-sensei has been asked to become Vice President of Competitions
6. Next meeting is set for January 28, 2006 in Charlotte.

+++++++++++++++++

SEUSKF Board of Directors:
President - James Parker (jamesparker@coastalnow.net)
VP-Promotions -- Mike Quinn (mquinn6@hotmail.com)
VP-Education -- Shinobu Maeda (shinobu7358@bellsouth.net)
Secretary -- Eddie Miller (eddiemiller@OrlandoKendo.com)
Treasurer -- Ken Strawn (kenstrawn@earthlink.net)
At Large -- Kentaro Hara (kentaroh@bellsouth.net)
At Large -- John Murden (john.murden@citadel.edu)
At Large -- Kotaro Yoshida (Ky7@duke.edu)

December 06, 2005

Honda-sensei on Ji-geiko (Part 2)

This is VERY good information for everyone! (pay close attention to the highlighted sections of the article...)

I doubt Honda-sensei of the British Kendo Association will ever see this little blog of ours, but if he does, I hope he understands how great his thoughts are on this.

Original link: http://www.kendo.org.uk/articles/jigeiko/02/

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1. Ji-geiko with Seniors
What should be mentioned, firstly, is to try to get Sho-dachi (the first cut) no matter who you are having the Ji-geiko with. Irrespective of the difference in grade and experience.
Ji-geiko should start with Ippon Shobu played in earnest in an equal fifty-fifty situation, with the philosophy: that there is no second chance in a fight with real swords.
It is important to understand this philosophy in Kendo as Budo and try to get a successful Sho-dachi by utilising all of your abilities to the full.

After attacking and defending Sho-dachi, in this Ji-geiko with someone senior, you are recommended then to focus mainly on Shikake-waza. However this does not mean merely attacking randomly against seniors. If you are of a low grade such as Ikkyu and Sho-dan, it is important to attempt to break the senior’s Chu-shin [centre] by making the best use of your footwork, Shinai and body movement. It is also important not to be afraid of being avoided and counter attacked, and not to stop attacking in the middle of your action, but to always try to complete your attack. You are supposed to develop various ways of Shikake-waza such as: by being avoided or being struck Debana-waza and Ouzi-waza, repeatedly . However it is not profitable for you to be struck as a result of waiting for the senior to attack. Try to use all the Waza you have and give 100 percent effort. Sumi (2000) points out that juniors should focus only on Shikake-waza and try to do Ji-geiko that makes them use up all of their energy in 5 minutes when they have Ji-geiko with a senior.  

2. Ji-geiko with Juniors
There is no need to stress the importance of Sho-dachi here any more. What you should consider when doing Ji-geiko with a junior, is not to lapse into a Ji-geiko where the only intention is to obtain satisfaction by merely beating them. People tend to feel that they want to impress other people who are watching their Ji-geiko. Such vanity should be severely admonished. From the viewpoint of showing responsibility as a senior, you have a responsibility to develop the juniors’ skills by making them realise their weak points, by striking them in that weak moment, but also by letting their strong points come through and striking you during the Ji-geiko. This type of Keiko is called Hikitate-geiko (All Japan Kendo Federation, 2000) and is one of the most difficult Keiko to do in Kendo. Juniors will lose their enthusiasm and concentration if seniors just keep on striking them for their own satisfaction or if the opportunity to strike is too obvious. To enable the junior to improve, a senior is expected to perform as though their skill level was 0.5 dan higher than the junior and to concentrate 100 percent when facing them. The senior should counterattack when the junior makes an attack without first making an effective Seme and when there was no appropriate opportunity, but let them strike when they come to attack after making a good Seme and when there is a good opportunity. The senior should encourage the junior to grasp and understand the correct opportunity to strike though this Hikitate-geiko.

Seniors are also expected to encourage juniors to understand the importance of maintaining concentration by attacking if the junior is careless after their attack.
There is a saying that explains how a senior should approach Ji-geiko with a junior: “Ware igai mina shi nari (everyone is one’s teacher)”. That is, there is always something to learn through Ji-geiko no matter who one does it with. One quite often hears, “I am the highest grade in my Dojo and I have no one to teach me.” This is not true. It depends on the way you think. Keep in mind that you can learn a great deal from whoever you do Ji-geiko with.

It is often taken for granted that seniors can strike juniors easily in Ji-geiko , so for your further improvement, you should not just focus on striking but tackle Ji-geiko with a clear task(s) or by giving yourself a handicap in this Ji-geiko with juniors. However, you must not stick to a form of Ji-geiko whereby you only focus on cutting Men for instance, as even if you try to focus on cutting Men, you need to have a clear idea such as: from what distance to cut Men and on how to make an opportunity. As to giving yourself a handicap, it is also important to explore how to perform under adverse conditions. For example, dare to fence in Chika-ma during Ji-geiko with someone smaller than yourself and to watch for a chance of doing Debana-waza (instead of waiting you should try to lure your opponent into attacking the target you want them to strike!).
I would like to repeat the point that seniors must not lapse into Ji-geiko where the aim is to obtain satisfaction, just by striking more times than their opponent has.

3. Ji-geiko with Someone of the Same Level
Ji-geiko with someone of the same level gives you a good opportunity to reflect upon your progress and the fruits of your efforts. This is even better if you are both about the same age. It is very important for you to know someone of the same level and of a similar age and to do Ji-geiko with them. It’s quite normal not to want to be struck by your rival, but it is quite important to have an attitude whereby you try to show your best Kendo no matter what happens. After they are struck, people also tend to try to return the attack before making enough Seme. It is important to control this feeling and try to start again with the taking and re-taking of the Chu-shin. By doing Ji-geiko with someone of the same level, you should compare how your Seme and Waza, [which worked against juniors], works against someone of the same level and whether there is anything your rival has and you do not have and vice versa. It is expected that all people of the same level will try to train harder in order to improve in a spirit of cooperation and friendly in the way of Shugyo in Kendo.

5. Men Doing Ji-geiko with Women
In the case of men doing Ji-geiko with women, Tai-atari and the use of Waza that rely too much on physical power should also be restrained. Men should not fall into the habit of being afraid of being struck by a women or getting frustrated when you cannot strike as you wish. This causes you to strike, ignoring opportunities, differences in physique and physical strength. This is the worst type of Kendo, because it shows no respect for your opponent and creates nothing between you, even if you are able strike your opponent by doing such Kendo in the Ji-geiko .
Your opponent is not an enemy to destroy, rather that you are partners, who should help each other to improve by working hard together in Shugyo. It can quite often be the case that you are much the taller when doing Ji-geiko with women and juniors. This is a good opportunity to do Ji-geiko in Chika-ma. [if there is a difference of height between two Kendo-ka, the one who is taller normally feels cramped and uncomfortable playing in this close distance]. Men should realise that having Ji-geiko with women is a good opportunity to learn how to play (without relying too much on physical strength) by fencing in Chika-ma. Moreover, through Ji-geiko with women, men can also practise how to acquire the timing of Debana-waza that catches the moment when your opponent comes to move into Chika-ma.

6. Women Doing Ji-geiko with Men
It is often thought that most women find it difficult to do Ji-geiko as they would like to with men who are bulkier and taller. Just the thought of powerful attacks from well-built men may be scary. However, everyone has a weak point, for instance: maybe a distance which they find uncomfortable fighting in or a type of opponent which they find awkward to fight. This applies not only to women but to all Kendo-ka. To keep avoiding practising with people who are hard for you to deal with in Ji-geiko is not a solution. It will remain your problem. If they are hard to deal with in Ji-geiko, it is suggested that you should try to do Ji-geiko with them more than with anyone else and try to overcome this weak point through being struck again and again and by trying to find a solution.

If you find such people who are difficult to handle, then they are the ones who you need to do Ji-geiko more with, in order to overcome your fear and problem. Generally tall people are not good at playing in Chika-ma because it is too close for them to kick the floor hard with their left foot and they feel cramped in this position The important point is therefore how to reach Chika-ma, as that is an advantageous distance for you. If you try to reach Chika-ma by merely stepping forward, your opponent will try to do a Debana-attack. It is important therefore to devise various ways of reaching Chika-ma from different directions. In the case when your opponent comes to attack before you do, you will be knocked over if you just check their attack and Tai-atari. It is important therefore, to acquire Ashi-sabaki and Tai-sabaki that enables you to avoid direct strong physical contact [using body movement]

I would like to add one piece of advice here. One sometimes hears, unfortunately, that there are some men who behave in Ji-geiko as if they are trying to hurt women. As well as this bad attitude in the Ji-geiko, there is nothing to be learnt from such people. It is strongly recommended that you stop Ji-geiko immediately if you discover your opponent is one of these types, or that you refuse to do Ji-geiko with them if you are asked.

7. Last words
What should be expected of all Kendo-ka when doing Ji-geiko, is that you make your opponents feel that they want to have Ji-geiko with you again. It will give me great pleasure if this and the previous article, which re-examined the relationship between Kihon-geiko, Kata-geiko and Ji-geiko and how Ji-geiko should be approached, give you something useful in your Kendo Shugyo now and in the future.

Honda-sensei of British Kendo speaks on Ji-geiko (Part 1)

http://www.kendo.org.uk/articles/jigeiko/01/

A FABULOUS article!!

I've supplied the link to give proper credit where it's due, but I think a couple points need to be reproduced here as well.
____________________________________________

Ji-geiko is the core part of Keiko in Kendo. In Ji-geiko, we (Kendo-ka) can try to use Waza(techniques) in unrestricted situations. We can also learn and acquire what we need to do before we attack (Seme) or how to react to an opponent’s Seme (intention and attack). Through Ji-geiko, moreover, we can recognise what Waza we are, or are not good at and one Ji-geiko can lead us to the next Kihon-geiko and Ji-geiko and what we need to work on for our technical progression. It also gives us ways to developing our skills and spirit as proper Kendo-ka.
If we approach Ji-geiko in the wrong way such as focusing only on beating an opponent, we cannot expect real development as proper Kendo-ka in the future. It is important, therefore, to engage in Ji-geiko with the correct understanding.

Therefore the purpose of this article (part 1) is to re-examine what Ji-geiko should be and to present some useful material for Kendo-ka in future Keiko. It starts with an examination of the relationship between Kihon-geiko, Kata-geiko and Ji-geiko followed by an examination of how Ji-geiko should be practised.

1.The Relationship between Kihon-geiko, Kata-geiko and Ji-geiko
As well as Ji-geiko, Kihon-geiko and Kata-geiko are important main elements of Keiko.
In Kihon-geiko, the same practice is repeated again and again under pre-determined situations so that we become proficient in striking and thrusting correctly, with full Ki-ai and good posture (Ki-Ken-Tai no Itchi).

Kata-geiko places more emphasis on being aware of the use of the sword than Kihon-geiko, [as kata-geiko is also usually practiced with boken]. Kata-geiko is also where we learn how to breathe (abdominal breathing) properly.

These Kihon-geiko, Kata-geiko and Ji-geiko do not exist separately. They are supposed to be connected fundamentally. However there are some people who can perform beautifully in Kihon-geiko and Kata-geiko, but lose posture and co-ordination between their arms and legs in Ji-geiko. There is no real problem, if these people are setting themselves task(s) in order to overcome their inabilities in the Ji-geiko. There are other people, however, who focus only on beating opponents and striking more times than their opponent has. This sort of attitude in Ji-geiko reflects an attitude that is concerned only with winning at that precise moment in time. In contrast, there are other people who focus only on their posture and form and pay less attention to the exchanging of taking Chu-shin and Seme-ai. (control of the centre) This is also ok, if these people are doing intentionally in order to overcome their problems (i.e. trying to keep their back straight when they attack). If they are not trying to overcome their various problems however, then all such attitudes degrade Ji-geiko into just a performance and therefore we cannot experience the real pleasure of Ji-geiko through this failing.

2. What Ji-geiko Should Be
There should not be an imbalance of preference between Kihon-geiko, Kata-geiko and Ji-geiko. It is important to tackle Ji-geiko while we are considering how to use Waza acquired in Kihon-geiko and Kata-geiko. By doing so, we can grasp the meaning and purpose of each Keiko and become more interested each time we practice any Keiko. As mentioned earlier, Ji-geiko is aimed at giving us opportunities to grasp our abilities under unrestricted situations. In addition to this, Tomiki (1991) points out that the purpose of Ji-geiko in modern Kendo is allow us to grasp the strict spiritual aspects of Kendo as Budo. In the past, Bujutsu-ka could grasp their abilities only by beating their opponents and surviving life or death situations. The place of battle for life or death in the past has been converted to a competitive place where everyone is protected with Bogu and one can attack and defend safely. In modern Kendo, the Kendo-ka is expected to try to control emotional conflict in competitive situations. Thus, developing our skills and spirit as proper Kendo-ka, it is essential then to understand how to undertake Ji-geiko and do it properly. The way of approaching Ji-geiko is not the same for everyone. At the beginners’ stage, there is a way for them to engage in Ji-geiko according to their level. Likewise there is also a way for seniors to approach Ji-geiko according to their level. Moreover, the application of Ji-geiko changes according to what a person tries to acquire and improve through Ji-geiko and also who we have Ji-geiko with (i.e. with Kohai, Sempai, someone older, women and so on).

The remainder of this article explains how to tackle Ji-geiko according to one’s stage of development.

3. How to Tackle Ji-geiko in Each development Stage.
3-1. Kyu Grade
Firstly, the most important point for Kendo-ka of this level to keep in mind is: to try to use Waza (Shikake-waza) on your own initiative. It should not be just Men and Kote, but you should use all Waza you have learnt in Kihon-geiko and Kata-geiko. You should not be afraid of failing and being defeated. It is expected that you will gradually grasp the timing of using each Waza whilst you try to attack using your own initiative. Another important point is that you should not stop your movement after striking and thrusting, but try to complete your attack and quickly prepare yourself for the next action. It is quite often seen in beginners’ Ji-geiko that they loose their attention and guard as soon as they finish their first attack and that they walk back to where they were before attacking. It is important to always maintain concentration wherever you are and to prepare for the next action as soon as you have finished your first attack.
Secondly, it is usual that most beginners have not learnt, at this stage, how to defend. It is also quite often the case that beginners do not properly know what to do and they are just absent-mindedly standing without doing anything, closing their eyes and tensing their shoulders, moving back or running away in case their opponent attacks before them. It is also be reasonable to assume, that they may feel fear at someone’s attack. What is important here is to have a proper understanding of Ko-bo-itchi and Ken-tai-itchi. These terms illustrate the importance of always being mentally and physically ready to defend against the opponent’s counterattack whilst attacking, and ready to counterattack while defending (All Japan Kendo Federation, 2000, p. 47). There is no defence just for the sake of defence, in Kendo. Defence is done for the next attack or counterattack. Using a proper defence enables you to immediately attack after defending, but you should not just be standing and defending by using only your Shinai, you should keep your knees relaxed and defend by using both your Shinai and your footwork. As you gain more experience, you come to acquire a wider variety of Waza and better timing. What you are encouraged to do for your progression at this stage is to use big techniques involving all of your body and not relying on small techniques or trying to strike more times than your opponent has.

If you form bad habits on the way you attack and defend at this stage, it will take a long time to get rid of them in the future. It is important to reflect how you have been tackling Ji-geiko by listening to your Sempai and Sensei’s advice and by self-examination.

December 05, 2005

What's the deal with rank in kendo? (updated July 2010)

If you've ever wondered about rank in kendo, the general bottom line is that (achieving) rank is not the ultimate goal of kendo. The ultimate goal is just to get better at kendo. Perhaps you've noticed that no one in kendo wears any outward sign to denote their rank. Why?

When you go to practice, things like rank, age, sex, weight have no true meaning because in kendo, technique will determine the winner in a match. By way of illustration, at the U.S. National Tournament in Las Vegas (1999), I saw a 5'2, 100 lb girl defeat a 6'+, 200 lb man in the team competition by scoring a beautiful men. Technique is the variable which makes all kendoka "equal".

That said, rank (and achieving rank) can be a positive thing in kendo. It can give us a sense of where we are (in terms of kendo ability/knowledge) and where we're headed or what we can look forward to. In our goal-driven society, rank can be a source of encouragement as well.

In the past, the Memphis dojo has not held any in-house promotionals. The primary reason for this is that we haven't had enough people in class with enough rank to sit on a panel of judgment. The International Kendo Federation has recently laid out new laws governing the guidelines for kyu-rank promotionals. In former years, all that was required for a grading panel up to 1.kyu (the level immediately below 1.dan) was three 3.dan+. The FIK changed their own rules to require a minimum of five 4.dan. The AUSKF changed their own policy to be in line with FIK regulations and this has now filtered down to the individual regions which make up the AUSKF.
As of 2008, Memphis Kendo Club now has four active 4.dan in class which gets us closer to the AUSKF requirement. The SEUSKF has also created "sub-regionals," placing Memphis in the SEUSKF Western Region along with Nashville and Knoxville. We will continue to plan joint shinsa with those two groups, which will typically mean at least one 7.dan (Yazaki-sensei of Nashville) and one 6.dan (Hyun-sensei of Knoxville) to sit on a grading panel.

Having said that, it is also perhaps noteworthy to mention that it is neither necessary nor required that adult kenshi "start" at the lowest kyu rank and progress one step at a time as they approach 1.dan. All kenshi start with NO rank and then are generally placed at a certain kyu level after their first shinsa (testing). After that, a person can easily skip kyu-levels based on the award of a testing's grading panel, with the following exception: By SEUSKF regulations, NO person may test for 1.kyu as his first rank, which is to say, everyone MUST pass some kyu-level shinsa prior to being eligible to test for 1.kyu. Obviously, this means, too, that no one may test for 1.dan before first passing 1.kyu, even if it means you've been doing kendo for 20 years. Also, if you hold, for example, the rank of 3.kyu, you may -- with your instructor's permission -- challenge for the rank of 1.kyu, however, if you fail the exam, you will remain at your current rank (i.e., there is no longer the idea of "auto-promoting" above your current level, just short of 1.kyu).

The following link provides more information about general expectations at a promotional examination: http://beginningkendo.blogspot.com/2010/07/shinsa-rank-testing-expectations.html

So... should you worry about testing? The first testing can be a bit stressful because you want to do well. You know what the judges expect you to be able to do, but you may not know how well the judges expect you to do it! In the end, it's nothing to get worked up over. Some of you who may have experience in other martial arts may have heard, witnessed, or even participated in rank testings which have lasted several hours. This is simply not the case with kendo. At best, you may be on the floor in front of the panel for 5 or 10 minutes total. The jigeiko portion of your exam is supposed to last a total of 180 seconds (90 seconds per match). This obviously may add to your stress as you feel you don't have enough time to fully demonstrate what you can do. Promotional panels have a lot of experience, though, and have the ability to see your potential even when you're not "picture perfect". So, when you go in for testing, simply do what you know how to do and let the judges do their thing. No sense in worrying about it! Whether you hold a rank of 4.kyu or shodan, you'll always find yourself practicing and sparring people with more experience and higher rank. Anyone, of any rank, can score a point or win a match against anyone else on any given day.

Regardless of rank, kendo is an ongoing learning experience. You might consider using promotionals as an encouragement to better your kendo, but ultimately, rank is not the end-all/be-all of kendo.

Something to keep in mind....

November 29, 2005

General Kendo Terminology

The Memphis Kendo Club has been blessed to have so many new people take up kendo, and more importantly --- stick with it.

The purpose of this post is to help those who are still relatively new to Kendo.

Etiquette:
Reigi (respect/manners/etiquette) is vitally important in kendo. Respect is demanded when entering/leaving the dojo and throughout practice. This means that when instruction is being given, we need to be attentive and cut out the side chatter. While practice can be fun, it needs to be conducted and received with a manner of respect and seriousness. Remember to bow to the front of the dojo any time you enter or leave the dojo. Take full part in practice -- even in warm-ups with good energy and loud voice. ALWAYS walk BEHIND other kendoka whenever possible, and if it's not possible, acknowledge the person you're walking in front of with a slight bow and extension of the hand. AVOID stepping over someone's bogu or shinai. Before starting practice with a partner (kihon or jigeiko), bow and say "onegashimasu" (oh-nay-gosh-ee-mahs). Excercising more etiquette will make practice much more serious and fulfilling.

Terminology:
A few terms which you have heard in class but may be unsure of...

GENERAL:
Shugo! or Seretsu! -- the command for everyone to line up
Seiza! -- the command to adopt a kneeling/sitting-on-the-heels posture
Mokuso! -- meditation/"quietude"
Kiotsuke! -- attention!
Shomen ni rei! -- bow to the front
Sensei ni rei! -- bow to the sensei
Otagai ni rei! -- bow to each other

Onegashimasu! -- "Please practice with (teach) me!" or generally, "Let's please begin!"
Domo (arigato gozaimashita) -- "Thank you very much"
Sonkyo -- a crouching posture (noticeably used prior to beginning free fight with a partner)
Osameto -- to put away the sword (or to sheath the sword) following practice/excercise
Sumimasen (or) Gomen nasai -- "Sorry!"
Hajime! -- start or begin
Yame! -- stop or end


PARTS OF BOGU (Kendo Armor):
Men - the head
Kote - the wrist
Dou - the trunk/body
Tsuki - literally, "thrust," but it typically is used to refer to the throat
Tare - the hip protecting skirt

DIRECTIONS:
Mai - forward
Ushiro - backward
Migi - right
Hidari - left

DISTANCE:
Ma-ai
-- the distance between opponents
Issoku-itto-no-maai -- the distance at which you can strike the opponent by taking one step forward
To-ma -- far distance, i.e., a distance greater than issoku-itto-no-maai
Chika-ma -- close distance, i.e., a distance shorter/closer than issoku-itto-no-maai
Yokote-no-maai -- the distance at which the tip of your shinai and the tip of your opponent's shinai are just crossing.

SPARRING/FIGHTING/BASICS:
Kihon - basics
Ai-te - opponent, generally during shiai-geiko or jigeiko.
Kakarite - attacker
Motodachi - the person who acts as a receiver to kakarite's attacks, typically during kihon practice
Sho-men(-uchi) -- the center of the men; to strike the center of the men
Sayu-men -- to strike the men at (approx.) a 70-degree angle
Taiatari -- body contact/crash after an attack
Kiri kaeishi -- practice with a partner where the attacker strikes the men, performs taiatari, then proceeds to strike sayu-men four times forward then five times backwards.
Kikari-geiko -- attacking-without-pausing practice
Ai-kikari-geiko -- kikarigeiko practiced by both partners at the same time
Ji-geiko -- free practice/free sparring
Shiai-geiko -- tournament sparring
Ippon-shobu -- in jigeiko, this refers to "last point" (before stopping)

TECHNIQUE (WAZA):
Waza is divided into two categories: Shikake waza (attacking technique) and Oji-waza (defensive/counterattacking technique). While this is not meant to be an exhaustive list...

Shikake waza can be sub-divided into:
Harai waza - technique of striking the opponent's shinai off center to create an opening for attack
Debana waza - technique of using seme to force the opponent to move to attack, then attacking first (debana kote is very common)
Hiki waza - striking while moving backwards

Oji waza can be sub-divided into:
Suriage waza - warding off the opponent's shinai as it attacks with a sweeping, upward movement
Uchiotoshi waza - striking the opponent's shinai downwards
Nuki waza - technique of luring an opponent to strike, then dodging it and following up with an attack
Kaeishi waza - technique of receiving an opponent's strike on your shinai and using that energy to launch your own attack.

FOOTWORK (Ashi-sabaki):
Suri-ashi -- "rubbing feet"; the process of moving, without crossing, the feet. This is standard "kendo footwork"
Ayumi-ashi -- alternate stepping (crossing of the feet)
Fumikomi-ashi -- attack stepping (the "foot stomp" when attacking)
Hiraki-ashi -- "crossing" footwork

CONCEPTS:
Ki-ken-tai-ichi -- literally "Spirit-sword-body-as one" ... where the movement of your body, your spirit, and your strike culminate to strike the opponent's target at one point simultaneously.

Seme -- "Pressure". A difficult concept to define. There are different types of seme which are developed at different levels of kendo. In abstract terms, there can be physical seme or mental seme or a combination of both. When starting out, physical seme is most often used. Generally, it is the idea of pressuring by physically moving toward the opponent and pushing in with the kensen (the tip of the shinai), to cause the opponent to lose the center position or to break his kamae, thus creating an opening or opportunity for attack. Developing good seme is vital for success and is a never-ending process.

Zanshin -- "Resolute will". Another very difficult term to define. In simplistic terms, it is the physical and mental disposition and preparedness you exhibit after striking the opponent.


 
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